Lighting Cue Sheet
Give the operator and the caller the same list, written so a cue can be taken from the words on the page without the designer in the room.
Music and performance · MU-19
A free printable props list template for theatre — every prop and costume piece with who uses it, where it comes from and where it lives in the show.
2 pages. Choose your paper size — both versions are laid out identically, so neither one gets shrunk to fit.
Print it and write on it
Fill it in type and save
The fillable versions have real form fields — open them in any PDF reader, type into them and save. Printing help.
Run the props table and wardrobe from one list, and turn the get-out into a returns list instead of a hunt through boxes.
Stage managers, props and wardrobe teams in amateur dramatics, school and youth theatre, musicals and small touring companies.
2 pages, in this order:
Printed under the title: Every prop and every costume piece in a production — what it is, who uses it, where it comes from, where it lives during the show and where it goes back to afterwards.
The source column is the get-out list. Where it comes from decides what happens at the get-out: hired goes back by a date, borrowed goes back to a person, bought and made go into stock. Fill the source column early and the returns list writes itself.
Write-on lines: Production · Company · Stage manager · Run dates · Props by · Wardrobe by · Hire returns due · Storage after run
Table, 12 rows: Item · Act / sc · Used by · Source · Preset / lives · Got · Returned to
Table, 23 rows: Piece · Character · Actor · Source · Change / scene · Fitted · Returned to
Hire return dates are set by whoever you hired from, and the budget is the company's own; both go in the header fields, not on a per-row default. The list is about where things are and where they go.
In the change column of the costume table — note the scene and mark it as a quick change so wardrobe knows which rows need someone standing by.
Give the operator and the caller the same list, written so a cue can be taken from the words on the page without the designer in the room.
Know who has what and when it was due back, and record the condition an item was in when it came home rather than discovering it at the next job.
Get the day out of one person's head and onto a page everybody can read, so the event does not stall when the organiser is dealing with something else.
Know who is on which desk and which numbered copy they hold, so a hired set goes home complete and the seating survives a change of leader.
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