Consumables and Shop Supplies Inventory
Turn reordering from a guess into a decision, by recording the level you have chosen to hold against what is actually on the shelf.
Studio crafts and making · SD-28
Studio supplies reorder sheet — blades, abrasives, glue, gloves and the rest listed once with supplier and code, a reorder point and an order column.
One page. Choose your paper size — both versions are laid out identically, so neither one gets shrunk to fit.
Print it and write on it
Fill it in type and save
The fillable versions have real form fields — open them in any PDF reader, type into them and save. Printing help.
Stop running out of the one thing that halts the studio, by counting it against a reorder point you set instead of noticing when the box is empty.
Any craft studio, workshop or maker space that buys consumables: potters, woodworkers, jewellers, printers, glass and leather workers.
One page, top to bottom:
Printed under the title: The things a studio runs out of on a Saturday — blades, abrasives, glue, gloves, wire, thread, solvent — listed once with where they come from, then counted and reordered on the same line.
Your reorder point. How low a thing can get before it is reordered is your call, based on how long your supplier takes and how fast you use it. The reorder-at column is for your figure; there is no suggested level anywhere on this sheet.
Write-on lines: Studio / area · Count date · Counted by · Order placed on
Table, 14 rows: Item · Size / grade / spec · Supplier & code · Unit · Reorder at · In stock · Order qty · Ordered
Because a full-time production studio and a weekend maker use the same blade at very different rates, and suppliers vary in how long they take. The reorder point is yours to set; the sheet makes sure you count against it.
A stock take counts everything for its value. This is about the things that get used up and need buying again, and it is built to be walked round the studio with a pen, not filed with the accounts.
Turn reordering from a guess into a decision, by recording the level you have chosen to hold against what is actually on the shelf.
Hit the same angle every time, and see which blade is going out for regrinding more often than the work it does explains.
Know what timber you have before you buy more, and price a piece from the board it actually came out of.
Know what silver and gold you actually hold, what a job consumed, and what it cost you at the time — so pricing and insurance rest on a record rather than a guess.
The same subject, with a version you can fill in on screen.
What each material costs per metre, gram, bead or sheet.
The total amount of each material a planned run needs.
Every packaging item, its size and where it comes from.
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